Mummy and Cartonnage of Hor
Egyptian, Classical, Ancient Near Eastern Art
On View: Funerary Gallery 2, Martha A. and Robert S. Rubin Gallery, 3rd Floor
The ancient Egyptians believed that preserving a human body through mummification allowed the person’s spirit to enter the afterlife.
Various gods represented on a mummy case (or cartonnage) assisted in the transition to the afterlife. The role of each god in protecting the mummified individual and facilitating rebirth is exemplified by the animal head used to illustrate them. For instance, among the animal-headed deities depicted in a vertical line on either side of this mummy case, the falcon head symbolizes swiftness and keen eyesight, while the cow-headed deity is nurturing and protective.
Linen, pigment, gesso, human remains
798 B.C.E.-558 B.C.E.
second half of Dynasty 25
Third Intermediate Period
69 1/2 x 18 x 13 in. (176.5 x 45.7 x 33 cm) (show scale)
Charles Edwin Wilbour Fund
Archaeological provenance not yet documented, probably from Thebes, Egypt; by 1852, collected in Egypt by Henry Abbott of Cairo, Egypt and New York, NY; 1859, purchased from Henry Abbott by the New-York Historical Society, New York, NY; 1937, loaned by the New-York Historical Society to the Brooklyn Museum; 1948, purchased from the New-York Historical Society by the Brooklyn Museum.
Cartonnage, with mummy, of a man. Decorated with figures of various deities, etc.
Inner coffin: Small panels with gods - minor spirits, some unnamed - and demons, some of them accompanied by symbols for identification - separated by bands of conventional clocked pattern.
Top: Four main scenes over body sep. by clocked borders with 3 rows of imitation of stone inlay of wedge shaped units that sometimes adorned expensive coffins, at ends of which are either 4 gods of Dead or 2 winged genii
Center - the symbol of Abydos - a primitive fetish who originally was composed of a wig up on a pole with 2 feathers on top as a headdress, flanked on both sides by winged uraei, 2 figures of Osiris and Isis, 4 sons of Horus standing, 2 on either side.
Mummy with beard on a bris under a catafalque both elaborately decorated. Isis and Nephthys kneel on stools of similar patterns placed at head and feet. At foot is Anubis also with his symbol - 4 sons of Horus seated in corners with knives.
Ded symbol of Osiris with human head and arms (before him headdress of Amon-Re?) with Horus flanked by winged genii and sacred eyes.
Shrine with boat of Sokar Clairis
6 small panels on lower legs: 2 with winged crowned vultures, 2 cont. 4 gods of Dead, 2 with panels on feet with jackals.
Condition: Some chips and scratches; basically good.
Egyptian. Mummy and Cartonnage of Hor, 798 B.C.E.-558 B.C.E. Linen, pigment, gesso, human remains, 69 1/2 x 18 x 13 in. (176.5 x 45.7 x 33 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.50E. Creative Commons-BY (Photo: Brooklyn Museum, 37.50E.jpg)
overall, 37.50E.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.