In 1944, Isamu Noguchi designed this low glass-topped table resting on organic-shaped walnut forms. To create it, he returned to the design of a unique object he had made in the late 1930s and revised it for manufacture by the Herman Miller company. Here, transparency is combined with balance, as the top is unfixed and the two support legs hinge at a single point.
Designed 1944; Manufactured 1945
Overall: 15 3/4 x 50 x 36 in. (40.0 x 127.0 x 91.4 cm);
Glass tabletop: 42 x 44 x 3/4 in. (106.7 x 111.8 x 1.9 cm) (show scale)
Gift of Mr. and Mrs. H. Lawrence Herring
Three-piece, three legged lounge table with an oiled walnut base and rounded-triangular, uncolored, polished plate glass top. Base is composed of two identical parts (a & b), each "L-shaped" with pointed ends and rounded corners. When assembled, the "L's" are joined at their tops and form an angle. One "L" rests on the floor on its long side, the short side extending up to support the tabletop (c). The other "L" is reversed, the long side supports the tabletop, and the short side forms a leg. The juncture of the two "L's" forms the third leg. A cylindrical solid metal pin of about 3 7/8 inches forms the juncture of the base along one "L" and fits into a hole in the second "L." The glass tabletop is about ¾ inch thick. Object is sub-lettered as follows: (a) base part with pin; (b) base part with hole; (c) glass top.
This item is not on view
Isamu Noguchi (American, 1904-1988). Lounge Table, Designed 1944; Manufactured 1945. Glass, walnut, Overall: 15 3/4 x 50 x 36 in. (40.0 x 127.0 x 91.4 cm);. Brooklyn Museum, Gift of Mr. and Mrs. H. Lawrence Herring, 76.96a-c. © artist or artist's estate (Photo: Brooklyn Museum, 76.96_bw.jpg)
overall, 76.96_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
© artist or artist's estate
Copyright for this work may be controlled by the artist, the artist's estate, or other rights holders. A more detailed analysis of its rights history may, however, place it in the public domain.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.