Just before moving to New Mexico permanently in 1949, O’Keeffe painted this farewell salute to New York, her home for thirty years. The Brooklyn Bridge was an iconic subject for her generation of modern artists, but she had never painted it before. She used the twin arches and harp-like cables of the bridge to create a valentine to the things she was leaving behind, saying goodbye to Stieglitz, their partnership, and the city where they launched their careers. The bridge is also a gateway, perhaps her metaphor for leaving the manmade city of stone and steel for the clear blue skies of New Mexico.
Oil on masonite
47 15/16 x 35 7/8in. (121.8 x 91.1cm)
frame: 56 15/16 x 44 7/8 x 2 in. (144.6 x 114 x 5.1 cm) (show scale)
Bequest of Mary Childs Draper
This item is not on view
Georgia O'Keeffe (American, 1887-1986). Brooklyn Bridge, 1949. Oil on masonite, 47 15/16 x 35 7/8in. (121.8 x 91.1cm). Brooklyn Museum, Bequest of Mary Childs Draper, 77.11 (Photo: Brooklyn Museum, 77.11_SL1.jpg)
overall, 77.11_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.