Still Life, Fish
William Merritt Chase
Late in his career, William Merritt Chase took to painting dramatic still lifes of fish, often staging the process as a demonstration or performance for students—in this case for his American students while in Bruges, Belgium, and for the Brooklyn Museum’s then-director William H. Fox, who recorded the artist’s bravura method for posterity. Drawing on his Munich training (in the 1870s), and its emphasis on the high tonal contrast and vigorous brushwork exemplified by Dutch and Spanish Baroque art, Chase painted quickly, “wet into wet” (brushing wet paint into wet paint), beginning with a base preparation of silvery white and blue tones. Identifying the brightest passage at the outset, Chase then worked up the darks and lights simultaneously. Here that bright area is the upturned belly of the skate, or ray, described with layer after layer of milky, tinted whites punctuated by the exuberant gestures of orange-red that suggest a bloody gash.
Oil on canvas
31 7/8 × 39 7/16 in. (81 × 100.2 cm)
frame: 45 5/8 × 53 × 4 in. (115.9 × 134.6 × 10.2 cm) (show scale)
Signed lower left: "Wm M. Chase"
John B. Woodward Memorial Fund
This item is not on view
William Merritt Chase (American, 1849-1916). Still Life, Fish, 1912. Oil on canvas, 31 7/8 × 39 7/16 in. (81 × 100.2 cm). Brooklyn Museum, John B. Woodward Memorial Fund, 13.54 (Photo: Brooklyn Museum, 13.54_SL1.jpg)
overall, 13.54_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.