Attributed to Muhammad Hasan
Arts of the Islamic World
In the seventeenth century, Iranian patrons began commissioning large-scale paintings as decoration for palatial interiors. While the use of oil paint on stretched canvases was probably derived from European tradition, the Iranians did not frame the paintings to hang individually on the walls like their European counterparts. Instead the paintings were part of an overall architectural design, fitting neatly into recessed spaces on the walls.
The subject of this portrait, Prince Yahya, was a son of the second ruler of the Qajar dynasty, Fath ‘Ali Shah (reigned 1797–1834). His father appointed him at an early age to govern the province of Gilan, near the Caspian Sea. With its emphasis on his costume’s many pearls, his prominently displayed sword, and his European-style pocket watch, the portrait captures the wealth, authority, and modernity of its youthful subject.
Oil on canvas
Inscription in Persian nasta'liq script within cartouche, upper left corner: "Shahzadeh Navvab Yahya Mirza" (His Highness Prince Yahya)"
Gift of Mr. and Mrs. Charles K. Wilkinson
Prior to 1972, provenance not yet documented; by 1972, acquired by Charles K. Wilkinson and Irma Bezold Wilkinson (Mrs. Charles K. Wilkinson) of New York, NY; March 21, 1972, gift of Charles K. Wilkinson and Irma Bezold Wilkinson to the Brooklyn Museum.
This item is not on view
Attributed to Muhammad Hasan (Persian, active 1808-1840). Prince Yahya, ca. 1830s. Oil on canvas, 67 x 35 in. (170.2 x 88.9 cm). Brooklyn Museum, Gift of Mr. and Mrs. Charles K. Wilkinson, 72.26.5 (Photo: , 72.26.5_PS11.jpg)
overall, 72.26.5_PS11.jpg., 2017
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